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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
klaver solo
Emneord
Emnetal
78.53
Bidrag af
Indhold
Sonate for klaver nr. 21, C-dur, opus 53Sonate for klaver nr. 23, f-mol, opus 57Sonate for klaver nr. 26, Es-dur, opus 81a
Beskrivelse
Indspillet i Bonn, Tyskland 2016
Forlag
Outhere Music FranceAlpha Classics
Målgruppe
voksenmaterialer
Anmeldelser
BBC music magazine, 2017 December
"Pashchenko plays on an 1824 Conrad Graf fortepiano belonging to a collection housed in Beethoven's birthplace. The instrument can generate surprising drama, but sometimes lacks clarity"
Fono Forum, 2018 Januar
"Kein Zweifel: Hier ist eine Beethoven-Spielerin grossen Formats am Werke, die instinktsicher und feinnervig den Lebenskern der Musik trifft und ... die ehrwürdige Ahnengalerie der Interpreten vergessen macht ... Nicht minder beeindruckend gelingen die gleichermassen klangvolle wie scharfkantige Wiedergabe der "Appassionata" sowie die poetisch aufgeformte "Les Adieux"-Sonate"
The gramophone, 2017 October
"She's a musician of immense skill with a strong point of view. Her choice of this beautiful Graf for her superbly recorded new Alpha disc seems fully justified. From the outset it is obvious that Pashchenko is the master of the Viennese piano, with its drastically scaled-down movements compared to those required for modern instruments, and the alternative expressive strategies it demands"
Politiken, 2017-09-19
"I Beethoven-Haus i komponistens fødeby, Bonn, har hun fundet et Graf-flygel fra Beethovens tid, der blandt andet er udstyret med pedaler, som kan skabe farvevirkninger i musikken ... Pashchenko tager os med tilbage i tiden til en klang og en tid, der var tabt. Hos hende er man midt i oplevelsen ... Pashchenko overrasker med sit enorme overblik. Hendes fortolkninger er simpelthen vidunderligt gennemførte og dertil stærkt dynamiske ... Olga Pashchenko levendegør Beethovens musik på historiske præmisser, så den virker overraskende nutidig. Begge dele er stærkt"
Politiken, 2017-09-19
The guardian, 2017-08-03
"Most of all (...) she makes full use of the light, even touch of the keyboard, which gives her performances tremendous vitality. There is no hint of the rather forbidding wall of sound that modern-instrument performances of the Appassionata so often generate, while the outer movements of both the Waldstein and Les Adieux have genuinely athletic momentum"
The guardian, 2017-08-03
AllMusic, 2017
"In addition to modern-piano performances, there are plenty of readings of Beethoven's sonatas on fortepianos from Beethoven's own time. The solution chosen here by the young Russian historical-instrument specialist Olga Pashchenko, recorded at the Beethoven-Haus in Bonn, is rarer: she plays an 1824 Graf fortepiano, an instrument from 15 or 20 years later than the three famous sonatas recorded here. With this instrument it's plausible to claim (more plausible than with a modern grand) that this is what Beethoven would have wanted if he could have it, and Pashchenko achieves impressive results ... Highly recommended throughout; this is an entirely novel Beethoven recording"
AllMusic, 2017